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Here is a video that gradually demonstrates the effects of some of the mods and tricks described here.
You can hear the sparkling tones coming from the Jensen C10q supported by the strong lower mids from the Weber.
The 12″ speaker goes to the right side, amp seen from behind, opposite of the power transformer which blocks the opportunity of a 12″ speaker on the left side.
We once acquired one rough looking 66 Vibrolux Reverb with an unoriginal baffle with unoriginal 10″ speakers.
There was plenty of clean headroom with the stock “AB763” tube configuration (12AT7 phase inverter and GZ34 rectifier) for funky chords and stingin’ clean notes at volume between 3 and 4.
If we wanted to get more breakup from the amp for some raw blues tones and keep he same volume, we did the following: Playing the amp around volume 5 and 6 gives a raw, unfiltered texas blues tone out of the single 10″ Weber 10A150.We have had a silverface Vibrolux in our gear basement with a set of blue labeled “Fender” CTS speakers (serial number 137-XXYY).This amp performed extremly well too, with lots of punch and sparkle.You’ll need schematics to implement some of these mods. We usually start with explaining a mod from a functional perspective where we relate to components in the logical schematics diagram.