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On the other side of the banners, private symbols—including instruments of communication, drops of blood, and surrogates for the human body—suggest the urgent need to be heard in a time of struggle. Satin, poly-satin, quilted pleather, upholstery, wool felt, wool velvet, indigo-dyed silk-rayon velvet, indigo-dyed silk satin, embroidery floss, metallic thread, acrylic fabric paint, acrylic hair beads, acrylic barrettes, satin cord, polyester fringe, poly-ilk- tassels, plastic-coated paper, and sequins. Typically used by city or county governments as austerity measures, these bonds privatize social services, creating investment opportunities.Details regarding the operation of Social Impact Bonds are limited to investors, who sign a non-disclosure agreement to that effect.As of February 27, 2017, the Museum entered into an Agreement with Social Finance, Inc., and transferred funds to a Pay for Success project intended to reduce the rate of adult incarceration.
With its diverse elements, the artist intends to make viewers’ bodily experiences a meaningful part of the installation.Texts sewn on one side of the banners use pronouns like “I,” “you,” and “we”—grounding them in personal experience but also acknowledging our complicated shared history as citizens. Dempsey, Chicago, and Kate Werble Gallery, New York. Sewed by: Keeley Haftner, Elgee King, Jinn Bronwen Lee, Kate S.Smith’s language unfolds like a poem or series of film stills, expressing complexity and contingency as well as frustration, resistance, and mourning. Lee, Elizabeth Van Loan, April Martin, Nicole Mauser, Magritte Emanuel Nankin, Carolina Poveda, Darling Shear, Danielle Wordelman Born 1988 in Philadelphia, PALives in Queens, NYFor his contribution to the Biennial, Cameron Rowland asked the Whitney to make an investment in a Social Impact Bond, also known as a “Pay for Success” contract.June 23-24, 2018 FIGMENT is a free participatory arts event that celebrates creativity by challenging artists and participants to find new ways to create, share, and dream. FIGMENT is a forum for the creation and display of participatory and interactive art by emerging artists across disciplines.
FIGMENT began in July 2007 as a free, one-day participatory arts event on Governors Island in New York Harbor with over 2,600 participants.Born 1967 in Riverside, CALives in Chicago, ILCauleen Smith, who trained as a filmmaker, designed the elaborately hand-stitched banners on view in the Biennial to be used in processions.The works stem in part from the artist’s sense of disgust and fatigue when confronted with video after video offering evidence of police violence against Black people.By using folk techniques to create common manufactured forms, Browning brings traces of his hand to structures associated with Minimal and Conceptual art.